
Papulankutja Artists - Aboriginal Art Centre

Aerial view of Blackstone from the mail-plane that flew in weekly - image courtesy of Desart Inc.
Papulankutja Artists – Ngaanyatjarra Lands, Western Desert

Freda Yimunya Lane (pictured). I spent most of my year in Blackstone with Freda, a talented contemporary painter and bush-baby (ie. born in the bush).

Revealed: WA Aboriginal Art Market 2019 @ Fremantle Art Centre Promotional photography by Emma Sanderson, featuring artist and painting by Angilyiya Mitchell

First day at work with art-workers, Narelle Holland (L), myself and Pamela Hogan (R). Image courtesy of Desart Inc.

Afternoon tjanpi (grass) gathering with Jennifer Mitchell (Tjanpi is used to weave baskets and sculptures).

Views from the long (6 hour) drive home from the post office ...

Art Centre refresh by staff; Lance, Skarpi and I.

We invited the local school kids to celebrate National Reconciliation Week with a film screening of 'Mabo' (dir. Rachel Perkins).

Lance Peck painting in progress for the Desert Mob Exhibition (Photo credit: Julie Woods)

I transformed the local swimming pool hall into a gallery, hosting our own NAIDOC Week exhibition poolside, complete with a community BBQ. At the same time, we also launched the exhibition online.


Youth arts engagement: Kids holiday painting session with Lance Peck. Final masterpiece pictured is by Rosemary Peck.

Studio assistant: my 2-year-old daughter. She may not have been the most efficient worker, but she absolutely won everyone's heart in Papulankutja.
Papulankutja Artists is a 100% Artist owned and governed Aboriginal Corporation, that supports Blackstone Community and keeps culture strong.
In 2017-2018, my family and I were living and working in Blackstone (Papulankutja), an Aboriginal Community in the remote Western Desert of Western Australia. I was employed there to manage the Art Centre, named Papulankutja Artists – this was a life changing experience.
As Manager, I held a cross-cultural arts management role, working closely with a Board of Directors to facilitate excellence in art making, support Yarnangu staff and manage the strategic and operational aspects of the business (including marketing, sales and reporting) to achieve positive artistic, social and economic outcomes.
My top priority was making sales for our artists—both locally and internationally—working with galleries of all sizes. Equally important to me was fostering engagement between the art centre and the local community. I made every effort to create artistic opportunities for the children and young people of Papulankutja, ensuring that knowledge, law, and stories (Tjukurpa) continue to be passed down and kept alive.